Team Grace Kelly

Because Grace Kelly was wrongly accused in Dial M For Murder

Snarky+sarcastic=snarkastic.
Name: Madison Villanueva, a movie geek.

Thank you for reading. Enjoy these amateur (and kinder) movie reviews.
Sorry for being a bit... wordy.

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alisonnbries

Mommy, do Elmo voice.

Aunt Violet, do Cookie Monster.

9/22 19:20 - alisonnbries - 959 notes
exquisitegifs
9/22 18:40 - exquisitegifs - 776 notes
gyllenhaalsmotionpicturesatarevolution

I’ve been looking at trailers on IMDB, and I can’t help but think, how hard is it to have people of color or at least WOMEN—who’s purpose are not to be the object of a man’s desire—in movies?

arthaemisiathedalekwhocried

afro-dominicano:

theafroina:

thatdudeemu:

I love my skin!

This is so important for children of color to see

I want to cry.
This is so awesome.

:’)

9/17 19:20 - thedalekwhocried - 397,349 notes
stevemcqueenedannakendrick
9/17 18:40 - annakendrick - 4,863 notes
seldrewcapriamovies
9/15 18:40 - capriamovies - 30,625 notes
kino-obscurathenormadesmond

kino-obscura:

EYES IN FILM: 2014 EDITION

"I am eye. I am a mechanical eye. I, a machine, am showing you a world, the likes of which only I can see." — Dziga Vertov


Left to right, top to bottom:

Man With a Movie Camera
 (Dziga Vertov, 1929)
Un Chien Andalou (Luis Buñuel, 1929)
Meshes of the Afternoon (Maya Deren/Alexander Hammid, 1943)
The Lost Weekend (Billy Wilder, 1945)
Spellbound (Alfred Hitchcock, 1945)
The Spiral Staircase (Robert Siodmak, 1945)
Sunset Boulevard (Billy Wilder, 1950)
Vertigo (Alfred Hitchcock, 1958)
Psycho (Alfred Hitchcock, 1960)
Peeping Tom
 (Michael Powell, 1960)
Goldfinger (Guy Hamilton, 1964)
Woman on the Dunes
 (Hiroshi Teshigahara, 1964)
Alphaville
 (Jean-Luc Godard, 1965)
Repulsion (Roman Polanski, 1965)
The Russians are Coming, The Russians are Coming (Norman Jewison, 1966)
2001: A Space Odyssey (Stanley Kubrick, 1968)
McCabe & Mrs. Miller (Robert Altman, 1971)
The Texas Chainsaw Massacre (Tobe Hooper, 1974)
Deep Red
 (Dario Argento, 1977)
Rubens
 (Roland Verhavert, 1977)
The Spy Who Loved Me (Lewis Gilbert, 1977)
All That Jazz (Bob Fosse, 1979)
Blade Runner
 (Ridley Scott, 1982)
Goodfellas
 (Martin Scorsese, 1990)
Bram Stoker’s Dracula (Francis Ford Coppola, 1992)
Hard Boiled (John Woo, 1992)
Cube (Vincenzo Natali, 1997)
Titanic
 (James Cameron, 1997)
Fear and Loathing in Las Vegas
 (Terry Gilliam, 1998)
Requiem for a Dream
 (Darren Aronofsky, 2000)
Donnie Darko (Richard Kelly, 2001)
Mulholland Drive
 (David Lynch, 2001)
Vanilla Sky
 (Cameron Crowe, 2001)
Gangs of New York
 (Martin Scorsese, 2002)
The Lord of the Rings: The Two Towers
 (Peter Jackson, 2002)
The Magdalene Sisters (Peter Mullan, 2002)
Minority Report (Steven Spielberg, 2002)
The Fountain
 (Darren Aronofsky, 2006)
The Diving Bell and the Butterfly
 (Julian Schnabel, 2007)
Hunger (Steve McQueen, 2008)
Splice
 (Vincenzo Natali, 2009)
Let Me In (Matt Reeves, 2010)
Hugo (Martin Scorsese, 2011)
Looper
 (Rian Johnson, 2012)
Prometheus (Ridley Scott, 2012)

9/14 18:40 - thenormadesmond - 1,596 notes
claryherondalesswimming-in-a-sea-of-idijits

sopercabeth:

"It’s about remembering someone who was so important to me,
                            I was going to spend the rest of my life with her…

It’s just one of those movies I loved but NEVER would watch again… As much as I love Marvel Movies, Gwen Stacy’s dead was very difficult

I MEAN I KNEW THIS WAS GOING TO HAPPEN BUT STONEFIELD AND THE FEELS AND THEY NEED TO BE TOGETHER FOREVER AND AH MY HEART

tedywestsidemotionpicturesatarevolution